Robert Fischer

Monsieur Truffaut Meets Mr. Hitchcock

Ernst Lubitsch in Berlin - Von der Schönhauser Allee nach Hollywood

Last of the Independents: Don Siegel and the Making of 'Charley Varrick'

Der Film verlässt das Kino: Vom Kübelkind-Experiment und anderen Utopien

Les Mystères de Paris : "Out 1" de Jacques Rivette revisité

Rumble on the Lot: Walter Hill's Streets of Fire Revisited

Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’

Sucker Punch Blues: A Look Back on John Huston's 'Fat City'

Starting Out: The Making of Jerzy Skolimowski's Deep End

Daniel, der Zauberer

Kino der Zeichen: Claude Chabrol über Alfred Hitchcock

The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited

The Beast Inside: Creating 'Wolf'

Return to Beethoven Street: Sam Fuller in Germany

Fassbinder in Hollywood

Program Notes: An Introduction To The Last Detail By Alexander Payne

Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram

Le Cinéma en jeu: L'Amour fou de Jacques Rivette revisité

About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'

Beyond Melodrama: Kathryn Bigelow on Douglas Sirk

Perspectives on Othello: Joseph McBride on Orson Welles

Jack Arnold Remembers The Incredible Shrinking Man

Traveling Roadshow

A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'

Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'

Deep End

Expedition Amazonia

Kurosawa and the Censors

Outer Movement, Inner Movement

Requiem for a Killer: The Making of 'Blast of Silence'

Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"

The Making of Highlander

Pure Cinema: Joe Napolitano on Brian De Palma's Body Double

Painting with Light: Nicholas von Sternberg on Josef von Sternberg

Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'