Daniel Kremer

It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point

The Wind Blows Where It Wishes

Clear Lines of Sight: Sidney J. Furie at Paramount

Now, Irving Rapper

Love Left the Masquerade: Peter Medak's Cinema of Pretenders

Elective Vicissitudes: The Radical Exiles of Jules Dassin

Arid Cut

Ammo for Shooting Clouds: John G. Avildsen Before Rocky

William Wyler: Forty Takes Willy

Overwhelm the Sky

Cruel, Usual, Necessary: The Passion of Silvio Narizzano

Looking to Get Out: A Comparative Analysis of the Ted Kotcheff Vision

Survival Scars: Franklin J. Schaffner as Auteur

Countercurrents

The Brando Interregnum: The Decade of Marlon's Dirty Dozen 1962-1972

The Great Ecstasy of Tree-Climber Otto, or How I Learned to Stop Worrying and Love Late Preminger

Ezer Kenegdo

David Cronenberg Presents Wireless Internet

Dead Neon: The Many Faces of Lenny Bruce on Film

Equinox Expressway

The Idiotmaker's Gravity Tour

Jack of Three Trades: In Focus on Nicholson the Director

Cinema of the Pilpul: A Talmudic View of Early Holocaust Cinema

Even Just

Xenolith Atlas

A Man of Potential: Visions of Paul Wendkos, the Godard of Gidget

A Simple Game of Catch

The Fourth Movement

Charles at the Threshold

Paralyzed Segments: Suzanne Pleshette Tangled Up in Codes

Sidney J. Furie: Fire Up the Carousel!

A Collection of Chemicals

A Trip to Swadades

Raise Your Kids on Seltzer

Sophisticated Acquaintance

Ben Fries the Slaves

La Vie en Gris: The Anglophone Louis Malle in Seven Pictures